Peter Metro & Dominick. Companies, etc. Distributed By – Sonic Sounds. Producer – George Phang. Matrix, Runout: DSR 9571 A.
Peter Metro (born Peter Clarke, Kingston, Jamaica, . 960) is a reggae deejay, who released five albums in the 1980s. Initially performing under the name Peter Ranking, he changed his name when he discovered that another deejay was using that name, and since he was resident deejay on the Metromedia sound system, he chose the name Peter Metro. His use of Spanish gained him many fans in South America, and he is acknowledged as the first multilingual reggae toaster
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D’Angelo recorded his second album at Electric Lady, the Manhattan studio built by Jimi Hendrix. There he studied bootleg videos of Sixties and Seventies soul singers and cooked up an album heavy on bass and drenched in a post-coital haze. The single Untitled (How Does It Feel?) sounds like a great lost Prince song. Cool J was only 16 when he released his first single, "I Need a Beat. A year later, he had the first hit on the fledgling Def Jam label. The sound he and Rick Rubin found on "I Can't Live Without My Radio" and "Rock the Bells" was harder and leaner than hip-hop had ever been.
Don Juan's Reckless Daughter. Her voice is newly elastic and expressive, and it's the first record where she sounds like she might actually be fun to hang out with. Ladies also features her generation-defining "Woodstock", "The Circle Game" (Mitchell's answer back to Neil Young's nostalgic "Sugar Mountain"), and her blustery gentrification sing-along, "Big Yellow Taxi". The year Mitchell issued Blue, an album that would be a landmark in any artist's career, Rolling Stone named her "Old Lady of the Year," a dismissal effectively saying her import was as a girlfriend or muse to the men around her more than as an artist in her own right. Worse still, they called her "Queen of El Lay," and offered a diagram of her supposed affairs and conquests.
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Peter Edge, D’Angelo’s A&R man at J, Doesn’t think that particular scenario is likely. I’m not saying he’s going to be doing the ‘Untitled’ video again, but he’s into martial arts these days and very much back in shape. Despite D’Angelo’s troubled history, Edge has high hopes. Trenier agrees: Don’t feel sorry for him, because it ain’t that. It’s on him to change and go, ‘I’m ready. In fact, nearly all those close to him concur that at this point, the only thing keeping D’Angelo from finishing this album is D’Angelo. Thompson says it all comes down to something those in his and D’Angelo’s circle call the Latifah factor. The Latifah factor is that last scene in Set It Off, where she’s like ‘Fuck it.